fuji xf 50 140mm f 2.8 r lm ois wr

A vendre mon Fujifilm Fujinon XF 50-140mm f/2.8 R LM OIS WR.. Acheté sur Digitec le 29.01.2020 à CHF 1299.-Hoya Protector HD (72 mm, Filtre de protection) à CHF 55.-; En bon état; Garantie Fujifilm 4 ans. Les factures seront envoyées par e-mail lors de l'achat de l'objectif. Produktinformation. Lägsta pris på Fujifilm Fujinon XF 50-140mm F2.8 R LM OIS WR är 13 490 kr, vilket är det billigaste priset just nu bland 15 jämförda butiker. Jämför alla Fujifilm Kameraobjektiv. Fujifilm XF 50-140mm f/2.8 R LM OIS WR € 1399.00 , 24u (offer_sdt_24_hrs) 1 Kamera Express Kamera Express 8.072500670948974 ( 16 ) Deze Fujifilm XF 50-140mm telezoomlens is ontworpen voor gebruik in diverse omstandigheden dankzij het grote bereik. € 1399.00 , 24u (offer_sdt_24_hrs) 1 Foto Konijnenberg Foto Konijnenberg 5.0 ( 1 ) Fujifilm Fujinon XF 50-140mm F2,8 WR Black (objektiv X-mount) Objektiv Fujifilm Fujinon XF 50-140 mm f/2,8 R LM OIS WR nabízí rozsah ohniskových vzdáleností odpovídající 76-213 mm (ekv. kinofilmu) a konstantní světelnost f/2,8 v celém rozsahu. Optická konstrukce zahrnuje v 16 skupinách 23 členů (včetně pěti ED členů a jednoho Super ED členu). Giá từ 19.990.000 đ Có tất cả 11 nơi bán. Ống kính Fujifilm XF 100-400mm f/4.5-5.6 R LM OIS WR. Giá từ 27.700.000 đ Có tất cả 11 nơi bán. Ống kính Fujifilm Fujinon XF 14mm F2.8 R. Giá từ 8.990.000 đ Có tất cả 13 nơi bán. Site De Rencontre Belge Entièrement Gratuit. News, Tips & ReviewsAbout UsThe Professional's Source Since Log InAccount & OrdersMy Cart Digital Camera World Verdict If you want a pro-specced telephoto zoom for a Fujifilm X-mount mirrorless camera this is your one and only choice. The Fujinon equivalent of the professional's 70-200mm f/ it is the workhorse zoom for wedding, portraits, documentary, landscapes and more. It may be eight years old, but it is still going strong! Pros +Constant f/ maximum aperture+Tripod foot+Built-in image stabilization+Good value for a pro-spec lens Cons -Disappointing minimum focus and maximum magnification-Bokeh lacks smoothness Why you can trust Digital Camera World Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out how we test. The Funinon XF50-140mm f/ R LM OIS WR is eight years old, and still going strong. Launched in 2015, it is one of Fujifilm's equivalent of the 'holy trinity' of professional zooms. Traditionally, for full-frame cameras, this trinity has evolved to being a 14-28mm f/ 24-70mm f/ and a 70-200mm f/ - a range of zooms to cover nearly every assignment each with a wide maximum aperture of f/ Fujifilm X-mount mirrorless cameras, with their crop factor, have their own equivalent trinity - comprising of the R LM WR, R LM WR, and, as tested here, the XF50-140mm f/ Fujifilm X Full frame No Autofocus Yes Stabilization Yes Lens construction 23 elements in 16 groups Angle of view - degrees Diaphragm blades 7 Minimum aperture f/22 Minimum focusing distance 1m Maximum magnification ratio Filter size 72mm Dimensions x Weight 995gKey featuresThe XF50-140mm f/ offers an equivalent focal length range of 75-210mm in traditional 35mm SLR terms - and it telephoto range and wide constant maximum aperture make it perfect for a huge range of photographic subjects. For weddings, portraits, documentary, and action it is a must have - but can prove just as useful for less-obvious telephoto subjects such as landscapes and flexibility is further extended by the factor that this can be used by Fujifilm's own and 2x teleconverters to give you anything up to a 280mm f/ 420mm f/ equivalent supertelephoto is a professionally-constructed metal-bodied and metal-mounted lens. This is made really clear from the outside by the provision of a tripod collar - which is used to give balance to the camera using a tripod or monopod, but because it rotates also allow you to smoothly switch from landscape to portrait are lots of letters after the full name of this lens - but one of the most important for most users will be OIS. This lens boasts a five-stop in-built optical image stabilizer - allowing you to use significantly lower shutter speeds than the old lore tells you to use, with whatever Fujifilm body you use. Equally important to others are the letters WR - the weather sealing that ensures you don't have to panic when it starts to is a meaty lens - but unlike popular full-frame f/ telezooms, manages to sneak in at under 1kg on the scales if you take off the tripod collar. In addition to the zoom and manual focus rings, there is a manual aperture collar that allows you to stop down from f/ to f/22, in one-third of a stop clickable only other control on the lens is an on/off switch for the optical image stabilizer - there are not special panning mode here, unlike on some other manufacturer's equivalent lens. Also it is worth noting there is no focus range restriction options, as on some rivals - which will inevitably cause problems when shooting through imagesFujinon XF50-140mm f/ R LM OIS WR on Fujifilm X-H2. 1/600sec at f/8, ISO 400. Image credit Chris George/Digital Camera WorldFujinon XF50-140mm f/ R LM OIS WR on Fujifilm X-H2. 1/250sec at f/ ISO 125 Image credit Chris George/Digital Camera WorldFujinon XF50-140mm f/ R LM OIS WR on Fujifilm X-H2. 1/5800sec at f/ ISO 400 Image credit Chris George/Digital Camera WorldFujinon XF50-140mm f/ R LM OIS WR on Fujifilm X-H2. 1/800sec at f/ ISO 8000 Image credit Chris George/Digital Camera WorldFujinon XF50-140mm f/ R LM OIS WR on Fujifilm X-H2. 1/1400sec at f/ ISO 400 Image credit Chris George/Digital Camera WorldFujinon XF50-140mm f/ R LM OIS WR on Fujifilm X-H2. 1/400sec at f/ ISO 400 Image credit Chris George/Digital Camera WorldLab dataWe run a range of lab tests under controlled conditions, using the Imatest Master testing suite. Photos of test charts are taken across the range of apertures and zooms where available, then analyzed for sharpness, distortion and chromatic aberrations. We use Imatest SFR spatial frequency response charts and analysis software to plot lens resolution at the center of the image frame, corners and mid-point distances, across the range of aperture settings and, with zoom lenses, at four different focal lengths. The tests also measure distortion and color fringing chromatic aberration. SharpnessImage credit FutureImage credit FutureCenter sharpness is excellent at all focal lengths, even wide open at f/ – only at f/11 does diffraction start to make images slightly softer. Corner sharpness is a little more mediocre, though it is consistent right through the aperture credit FutureColor fringing is impressively negligible at all focal lengths and credit FutureThanks largely to the automatic distortion correction baked into Fujifilm camera bodies which cannot be disabled, any optical distortion is almost entirely anyone using the Fujifilm system professionally - or wants a wide-apertured telephoto zoom - then this Fujinon XF50-140mm f/ R LM OIS WR is essentially you only options. Now that Fujifilm has opened up its mount to third-party manufacturers, this may change at some point we'd love to see a X-mount version of the Tamron 70-180mm F/ Di III VXD. But until then the XF50-140mm is a great performer - it is well made, has a good feature set, is attractively priced, and it is really sharp. Finally it is worth noting that, despite its age, Fujifilm has put on its list of just 20 XF lenses that can make the most out of the resolution of its new flagship X-H2 and X-T5 check out our guides to the best Fujifilm lenses and best Fujifilm Fujifilm lens reviews Fujinon XF55-200mm f/ R LM OIS reviewFujinon XF 16-80mm F4 R OIS WR reviewFujinon R WR reviewFujinon R LM WR reviewFujinon R LM WR reviewFujinon XF18-120mm F4 LM PZ WR reviewFujinon XF150-600mm R LM OIS WR reviewFujinon XF 10-24mm F4 R OIS reviewFujinon R LM WR reviewFujinon XC35mm F2 reviewFujinon XF14mm R review Thank you for reading 5 articles this month* Join now for unlimited accessEnjoy your first month for just £1 / $1 / €1 *Read 5 free articles per month without a subscription Join now for unlimited accessTry first month for just £1 / $1 / €1 Chris George has worked on Digital Camera World since its launch in 2017. He has been writing about photography, mobile phones, video making and technology for over 30 years – and has edited numerous magazines including PhotoPlus, N-Photo, Digital Camera, Video Camera, and Professional Photography. His first serious camera was the iconic Olympus OM10, with which he won the title of Young Photographer of the Year - long before the advent of autofocus and memory cards. Today he uses a Nikon D800, a Fujifilm X-T1, a Sony A7, and his iPhone 11 Pro. He has written about technology for countless publications and websites including The Sunday Times Magazine, The Daily Telegraph, Dorling Kindersley, What Cellphone, T3 and Techradar. Introduction The Fujifilm XF 50-140mm R LM OIS WR is a new professional weather-resistant telephoto zoom lens for Fujifilm's X-series interchangeable lens 50-140mm lens boasts an angle-of-view range similar to that of a 76-213mm lens in a 35mm system and features a constant maximum aperture of throughout the range. Other highlights include the world’s first Triple Linear Motor which enables quiet and high-speed auto focus, an optical construction with 23 elements arranged in 16 groups including 5 ED lens elements and 1 Super ED lens element with low dispersion characteristics, Fujifilm’s unique HT-EBC High Transmittance Electron Beam Coating and Nano-GI Gradient Index coating technologies, seven rounded aperture blades for a smooth circular bokeh, a 1/3EV step aperture ring, minimum working distance of 1m for the entire zoom range, and 5-stop optical image stabilsation. The Fujinon XF 50-140mm f/ R LM OIS WR has a suggested retail price of £ / $1599. Ease of Use The Fujifilm XF 50-140mm R LM OIS WR is an undeniably large and heavy telephoto lens, weiging just under 1kg and dwarfing the X-T1 camera that we tested it with. It's the largest, longest and heaviest XF lens currently available, although if you compare the 50-140mm / X-T1 combination to the Canon or Nikon equivalent, it's about 40% lighter and smaller overall. So, depending on your viewpoint, the Fujifilm XF 50-140mm R LM OIS WR marks quite a departure from the more dimunitive lenses in the XF lineup, or it's a lighter alternative to the Canon/Nikon offerings. Thankfully the length of the lens doesn't change even when it's fully zoomed out. The Fujifilm XF 50-140mm R LM OIS WR lens attached to the Fujifilm X-T1 Graphite Silver camera The Fujifilm XF 50-140mm R LM OIS WR lens attached to the Fujifilm X-T1 Graphite Silver camera The Fujifilm XF 50-140mm R LM OIS WR lens attached to the Fujifilm X-T1 Graphite Silver camera The Fujifilm XF 50-140mm R LM OIS WR lens attached to the Fujifilm X-T1 Graphite Silver camera, tripod mount attached The Fujifilm XF 50-140mm R LM OIS WR lens attached to the Fujifilm X-T1 Graphite Silver camera, tripod mount attached The overall build quality is excellent, in keeping with an X-series body like the X-T1, although we were a little disappointed to see that the lens barrel is mainly made of high-grade plastics, rather than being metal - still, it does at least help to keep the weight down. The Fujifilm XF 50-140mm R LM OIS WR lens does boast a brass mount, focus/zoom rings and lens exterior, and a non-rotating 72mm filter thread. The zoom ring is generously wide and has a ridged, rubberised grip band. Both the zoom and the focus rings are smooth in action without being loose. Zoom creep is not an issue. The focus ring is wide enough but doesn't have any “hard stops” at either end of the focus range. Side of the Fujifilm XF 50-140mm R LM OIS WR lens Side of the Fujifilm XF 50-140mm R LM OIS WR lens Side of the Fujifilm XF 50-140mm R LM OIS WR lens Side of the Fujifilm XF 50-140mm R LM OIS WR lens The Fujifilm XF 50-140mm R LM OIS WR lens has a traditional aperture ring on the lens barrel, which allows you to set the aperture in 1/3 steps, and unlike some of Fujfilm's other variable-aperture zoom lenses, this one is clearly marked with the 7 full aperture settings that run from f/ to f/22 plus the Auto setting, and it has a hard stop at either end. The aperture ring is nicely damped and makes a distinctive click as you change the setting. Front of the Fujifilm XF 50-140mm R LM OIS WR lens Rear of the Fujifilm XF 50-140mm R LM OIS WR lens The Fujifilm XF 50-140mm R LM OIS WR has a built-in OIS Optical Image Stabiliser equivalent to 5 stops, which can be handily turned on and off via the dedicated OIS switch on the lens barrel. Side of the Fujifilm XF 50-140mm R LM OIS WR lens Side of the Fujifilm XF 50-140mm R LM OIS WR lens A metal tripod mount is supplied with the Fujifilm XF 50-140mm R LM OIS WR, which is attached to the lens via a circular ring that can be rotated from landscape to portrait orientation using a single thumbscrew on the side of the barrel. The tripod mount is rather awkardly attached to the lens via two smaller captive thumsbcrews - we say awkwardly, because while removing the mount was easy, it was incredibly difficult to re-attach it again - it's definitely something that you wouldn't want to do in a hurry. Note that the Fujifilm XF 50-140mm R LM OIS WR also lacks a threaded hole on the bottom to allow more direct mounting of a tripod or lens strap system The Fujifilm XF 50-140mm R LM OIS WR lens in-hand The Fujifilm XF 50-140mm R LM OIS WR lens with the supplied lens hood fitted The Fujifilm XF 50-140mm R LM OIS WR lens with the supplied lens hood fitted In terms of accessories, the lens ships with a large plastic petal-shaped hood and the usual cloth bag - we'd have liked a proper padded case for such a premium lens. Usefully the lens hood has a small removeable square on the bottom which makes it easier to use a circular polariser. Focal Range At the 50mm end of the zoom range, the Fujifilm XF 50-140mm R LM OIS WR lens has a wide angle of view of degrees. Field of view at 50mm At the 140mm end, the angle of view narrows to degrees. Field of view at 140mm Distortion The Fujifilm XF 50-140mm R LM OIS WR exhibits virtually no barrell or pincushion distortion, as you can see in the photos below. Distortion at 50mm Distortion at 140mm Focusing The Fujifilm XF 50-140mm R LM OIS WR lens has an internal focusing IF system with a very quiet linear motor. In practice, we found the auto-focus to be fast, almost silent and with very little hunting even in low-light. Thanks to the IF mechanism the front of the lens does not rotate on focus, which is very good news for anyone looking to use the lens in conjunction with a polariser or graduated neutral density filter. Chromatic Aberrations Chromatic aberrations, typically seen as purple or blue fringes along contrasty edges, are not a problem with the Fujifilm XF 50-140mm R LM OIS WR lens, so much so that we couldn't find any examples in our test shots. Macro The Fujifilm XF 50-140mm R LM OIS WR is not a macro lens. The close-focus point is at 1m from the sensor plane and the maximum magnification is at full telephoto. The following example illustrates how close you can get to the subject, in this case a CompactFlash card. Close-up performance Bokeh Bokeh is a word used for the out-of-focus areas of a photograph, and is usually described in qualitative terms, such as smooth / creamy / harsh etc. Fujifilm have paid attention to this aspect of lens use, employing a 7-segment diaphragm with rounded blades for pleasing bokeh. In our view, their efforts have been largely successful - see the examples below. Sharpness In order to show you how sharp this lens is, we are providing 100% crops on the following pages. Ease of Use Sharpness 50mm 70mm 90mm 140mm Sample Images Lens Specs Rating & Conclusion Main Rivals Quick Facts about the Fujifilm XF 50-140mm f/ R LM OIS WR Lens Weight lb/995 GramsWeather Sealed YesFilter Size 72mm Angle of View to DegreesFocusing Distance Aperture Aperture F22Image Stabilization YesMount System Fuji XPrice $1,599Zoom Internal Who is the Fujifilm 50-140 for? This 50-140 Full-Frame Equivalent is 76mm-213mm focal length is a staple amongst event photographers. It’s low-light functionality variable telephoto length, and superb image sharpness rightfully place this lens amongst Fuji’s best “red-badge” lenses. Similar to Canon’s “L” or Sony’s “G-Master” lens line-up. However, this lens is not without compromise. The 50-140’s significant weight place it in a different class compared to the other APS-C peers. Plus, a full-frame camera also offers a shallower depth of field at Those using this lens for travel will be disappointed and happy. A weird conundrum, yes. The aperture will allow Shutter Speed and ISO changes in variable lighting such as cities. However, for the occasional wildlife shooter, 140mm feels too short. But at the same time, the 50-140 is one of the few regular telephoto zoom lenses by Fujifilm that is weather-sealed. What other Fujifilm lenses cover the 50-140 APS-C/76-213 FF equivalent? Is the XF 55-200 a worthy competitor? There are numerous other Fuji X lenses that cover the focal length of 50-140 some not mentioned here. However, the 50-140’s true competitors are lenses that span this length AND designed for similar styles of photography. So, here are a few lenses that have the same focal length as this one. Fujifilm XF 55-200mm XF 70-300mm Fujifilm XC 50-230mm Fujifilm XF 56mm XF 90mm F2 Additional telephoto zooms could come later. Recently, there has been an interest in some third-party Tamron especially zooms for the Fuji X Mount. Fujifilm 50-140 Sharpness As a zoom lens, we can expect variable sharpness throughout both the aperture AND focal length. However, here is what I discovered for this lens in my “official brick wall test.”1 Starting at around sharpness remains excellent throughout the entire zoom range. Kudos to Fujifilm for that. 2 The 50-140 appeared weaker at the short-end rather than the longer end. 3 The lens performs worst at expected. For the following example photos, I concentrated on the top-left portion of the photo with a crop factor of 80%. So, this is an extreme crop. Fujifilm 50-140 at around 50mm Fujifilm 50-140 at around 70mm Fujifilm 50-140 at around 90mm Fujifilm 50-140mm Fujifilm 50-140mm F8 Fujifilm 50-140mm 106 Fujifilm 50-140 around 120mm Fujifilm 50-140 120mm Fujifilm 50-140mm 120mm F8 Fujifilm 50-140 140mm Fujifilm 50-140 140mm I was happy with the sharpness of the Fujifilm 50-140 at all focal lengths and apertures. Granted, I never zoom past 100% in any of my photos. However, the complex optical design is superb. Portrait Bokeh Out of focus rendering All around, I was not very impressed with the bokeh for portraiture. Out-of-focus rendering. I don’t quite know how to describe it, but the background almost looks busy. Let’s look at example 1 where the subject makes up about 30% of the entire frame. Fuji 50-140 And now example 2 with a subject that is approximately 10% of the frame. Yes, I masked out their face. Fujifilm 50-140 140 Person’s face omitted for privacy In both pictures, I see duplicates. Which is kind of weird.For example, let’s look at example 1, again. The sign on the left-hand side looks unnatural…almost as if I photoshopped a portrait of myself in front of a shaky, long-exposure. In example 2, the dog gives the illusion of the same phenomenon. Another note about this lens’s bokeh. I was not impressed with the “ look. For example… look at the crosswalk sign. It’s easily readable. Perhaps I am too picky in regards to bokeh from a 50-140 after all a 70-200 actually has shallower depth of field on a full-frame camera. Fujifilm 50-140 Bokeh Balls Fujifilm 50-140 Bokeh Beginning at you can see some cat’s eye within the bokeh balls. It almost begins in the left 1/3 of the frame. Cat’s eye isn’t a deal-breaker for most people, and stopping down does resolve the cat’s is also no onion ring effect! Fujifilm 50-140 Bokeh F4 Fujifilm 50-140 Bokeh In my tests, I found the Bokeh balls to round-out around F4 is usable & F8 is perfect. And it is fascinating that you do not see the beginning of the aperture blades, yet. However, in order to stop down to that I will either significantly either decrease my shutter speed or increase my ISO. For the X-T4, I attempt to avoid increasing my ISO past 4000 for all photos unless I am deliberately trying to introduce noise into the photo. Fujifilm 50-140 Bokeh F8 To give you an example of the bokeh balls in real-time, please see the video below. It should provide a clear example of how the bokeh at dramatically changes from the corner to the center. Play Video about Fujifilm 50-140 Bokeh Test Video Fujifilm 50-140 Autofocus For this autofocus test, we will test via two different parts. 1 Switching between two different subject via tapping on the back LCD screen. 2 Eye Autofocus 1 Switching between two different subject via tapping on the back LCD screen. I was happy with this lens in regards to its ability to quickly switch between subject. And despite the colors of the mug, I found it to switch with relative struggled a bit with the blue mug. However, switching to the laptop case was almost immediate. For staged compositions like the one below, I didn’t have any problems. It locked on with relative ease, and I was able to take the photo. Fuji 50-140 Eye Auto-Focus Enabled with X-T4 Still Subject However, in Continuous Tracking, the Fujifilm XF 50-140 had some problems…The video below was shot at Any EyeTracking Sensitivity +2Autofocus Speed +3It’s hard to reasonably use this camera’s auto-focus. However, I could slow down the speed to create a more cinematic effect. AND I could reduce the sensitivity as well. When it comes to Fujifilm and autofocus, it’s all about using the correct settings for the scene. For example, I could have used a focus-limiter too!It might be alright for some talking head shots. Macro Results and Focusing DistanceWith a maximum magnification of .12x, the macro results from this lens are less than spectacular. Plus, with a focusing distance of 1 meter feet, you will have to step back a bit before your subject comes into focus. In this hand-held! video, you can see how long it takes for the flower to become clear. Color Accuracy I was really happy with the colors rendered from this lens. The colors are accurate. The photo below DOES have some minimal processing. I brought out the shadows in the top-right, and I had to remove the pink reflection with a mask on the grey . 50mm F8 OIS Test Play Video about Fujifilm 50-140 Bokeh Test Video Handheld at around 90mm As somebody who uses the 16mm and 10-24mm, I am use to wobbling on most of the Fuji-X lenses. However, not with this one! The footage I obtained from this lens is some of the most usable footage I have ever gotten from a Fuji X Camera!For the video below, I had both the IBIS and OIS turned on. Side Note Anything older than the X-T3 except the X-H1 within this Fujifilm ecosystem does not have IBIS. Play Video about Fujifilm 50-140 OIS Test wX-T4 Sunstars/StarburstsI stopped down to F18 for the two photos below, and I was happy with the results. 50mm 10 seconds F18 All throughout the frame, I was able to achieve about a 14-point starburst image. Now, at F18, the image and lens will suffer heavily from diffraction. The lens only has a minimum aperture of F22. However, you can still create some awesome images. The roads in DC are horrible. Notice the up-and-down light-streak on the right. 50mm 10 seconds F18 Lens Flaring I am less than pleased with the flaring from this lens. But I had VERY high expectations. Although the photo is an extreme example as I shot directly into the light source, there are not a lot of easy ways to correct this in post-production. One way to attempt to salvage this is create a mask and pull down the highlights. Fujifilm 50-140 Alright, before we get into the final rating and notes, I wanted to provide a quick list of the pros and cons of this lens. Pros of the Fujifilm 50-140 The Fujifilm 50-140 is will be pleased with the results starting at IBIS/OIS provide great stabilization. The OIS and IBIS combination allows for some handheld video. Cons of the Fujifilm 50-140 Center of Gravity and WeightWeighing only pounds, the lens feels heavy as most Fuji X cameras do not have a significant grip. If you are using a tripod, you will be able to attach the lens to the tripod via the tripod collar. And the tripod collar does rotate!BokehThis might be a “me” thing, but I wasn’t impressed. PriceSince being released, the price has not changed from the $1,600 asking point. Except for certain rebates. Newer lenses within the same price-point have better the bright side, the filter size 72mm saves you about $10 compared to an 82mm. My Final Notes I might be expecting too much from this lens. However, for a premium price, I expect outstanding performance. If I was purchasing this lens today, I would instead focus on a telephoto zoom 70-300 and a prime within the same category for low-light work. The key differentiator between that prime lens and this 50-140 is the OIS, but with the money saved, I could still purchase a well-built gimbal. At the end of the day, each camera lens is limited in its output by the photographer. And I am probably not the best person to test this lens. But I was disappointed in the price/performance ratio. My Rating Price 3/5 Photography isn’t a cheap hobby, and I think the price is excessive. I could purchase the 70-300 AND a prime lens for the cost of this. Reliability 4/5 Paired with the X-T4 or X-T3, it is reliable and the autofocus is good enough for most occasions for photography. But for video, no. Plus, I don’t foresee any issues when it comes to build quality. This will deserve a re-test with the X-H2s. Spoiler alert It holds up, making this the best XF telephoto lens for videography. Functionality 4/5 When it comes to the 70-200 FF equivalent, this focal length is desirable and has utility. However, the points are deducted as the center of gravity prevents this lens from being held comfortably on most Fujifilm cameras. Style 4/5 Metal and well-built, the Fuji 50-140 is nice. HOWEVER, the metal body leaves fingerprints. -1 Point for always looking dirty. Total15/20 or 75% Fujifilm 90mm F2 WR Review The Fujifilm 90mm F2 was the premier portrait lens with fast autofocus speeds, excellent sharpness, and good build quality. But it faces one problem. Read More » William Chua Singapore FUJIFILM X-T3｜50mm｜ R LM OIS WR Jacek Bonecki Poland X-T10｜140mm｜F8｜1/500｜ISO200 R LM OIS WR Luca Bracali Italy X-T1｜130mm｜F10｜1/180｜ISO640 R LM OIS WRJens Burger Germany X-E3｜106mm｜F5｜1/250｜ISO250 R LM OIS WR23 elements shape the lightDesigned for clarity and strong contrast, this lens captures every detail in each scene. The Nano GI Gradient Index coating reduces ghosting and lens flair when shooting into strong light. The use of six ED lens elements including one Super ED extra-low dispersion lens minimises chromatic aberration to achieve a high level of image resolving power. The lens configuration and coating, has been applied to deliver clarity, free of dullness or haziness, allowing the photographer to capture what their eyes see. As quick as youThis is neither a long-distance runner or a sprinter. The lens makes a dash from the minimum shooting distance to infinity, and back again repeatedly. There are three requirements. It must be fast, quiet and maintain balance across its zooming range and at any shooting distance, so as not to have any impact on your grip holding the lens. The balanced form eliminates camera shake for high-speed shooting. Triple Linear MotorSilent, Fast, and Accurate AFTime to take controlThe lens has five-stop image stabilisation inside, and can deliver up to six-stops*1 when mounted on a camera with in-body image stabilisation. At the longest end of the zoom, 140mm, the slowest shutter speed when hand-holding should be 1/125 sec to avoid camera shake. The OIS allows you to use a shutter speed of 1/4 sec! Concentrate on your subject and have the creative freedom to choose a wider range of shutter speeds. You can also benefit in low light, as you don't have to increase ISO sensitivity or rely on a tripod. stopimage stabilization functionStay mobileLarge-diameter zooms are typically very heavy, limiting where you can use the lens and what pictures you can take, however this lens weighs less than 1kg. After a day of shooting with the lens, when you head home and realise that there is no strain on your shoulders or arms, that is the moment you appreciate its true value. Ready for the elementsAny professional lens needs to overcome all shooting conditions, especially adverse weather. The dust- and moisture-resistant construction of the lens allows you to immerse yourself in shooting, even during rain or sandy environments.*2 Dust- and Moisture- resistant-10℃Operable down to -10℃ Accessories that extends its reachCompatible with the and TeleconverterThe lens offers compatibility with the Teleconverter TC WR and Teleconverter XF2X TC WR.With TC WR70mm-196mmF4 equivalent to 107mm-299mm in the 35mm formatWith XF2X TC equivalent to 152mm-427mm in the 35mm format Luca Bracali Italy X-T1｜196mm｜F4｜1/1000｜ISO1600 R LM OIS WR TC WR *1 When combined with the FUJIFILM X-T4 *2 Needs to be combined with a weather resistant camera nameFUJINON R LM OIS WRBrochureView PDF

fuji xf 50 140mm f 2.8 r lm ois wr